A beautiful cello owned by the famed Guildhall School in London was in my studio recently for some extensive gluing and a new bridge. We decided on a Belgian bridge for its ability to give a cello more punch and bold clarity of sound. With its higher legs and compressed torso the bridge gets to the height it needs to be with less wood than the traditional French bridge blank so there is less material in the way as the bridge transmits the sound from strings to body. The sculptor in me loves cutting these blanks with their graceful leg curves and jaunty, military bearing. The cello itself is a treat to behold with its rugged sculptural power, bold craftsmanship and subtle, artistic details. Bart Lafollette , the promising young cellist who has had the use of this cello treats me to a Bach suite while trying out the “new” cello – He claims it has never sounded better – high praise from him and the fact that the cello has spent time in the finest shops in London. Bart will be recording with the Doric Quartet in London and playing solo gigs in England and on the continent. Its great to be able to help him fill the hall with his great musicality.
